Produkcje internetowe (cz. 3): Kompletny rok 1968.
Studio ’68
The Complete 1968 Studio Sessions
Excellent Quality
Disc 1:
1. All Along The Watchtower (S816) (2) - The original four track mix.
Source: The Electric Ladyland Sessions 2.
2. All Along The Watchtower (S816) (16) - A slightly different mix of the original four track mix.
Source: The Electric Ladyland Sessions 2.
3. All Along The Watchtower (S034) (15) - This is the official true mono reduction mix.
4. All Along The Watchtower (S138) (4) - The official one channel mono mix that is similar to but not identical to the left channel of the official stereo mix. It is actually a more extreme mix with more left channel isolation.
Source: All Along The Watchtower/Crosstown Traffic 45 Singles5. All Along The Watchtower (S816) (5) - The alternate "Legacy" mix with reverb added.
Source: Legacy
January 26, 1968 - Olympic Studios, London
6. Tax Free (S?) (22) - Original basic track Take 2. Contains the original drums but no organ or guitar overdubs.
Source: The Electric Ladyland Sessions 2.
7. Tax Free (S989) (2) - Original basic track Take 2 with original drums, organ, and some guitar overdubs.
Source: War Heroes: The Outtakes.8. Tax Free (S?) (20) - Same as (S989) (2) but with reverb added and mixed into narrow stereo.
Source: War Heroes: The Outtakes.
9. Tax Free (S?) (3) - Same as (S989) (2) but with reverb added and mixed into mono.
Source: Rare Tracks Volume 2.
10. Driving South (S835) (4) - Sgt. Pepper's Lonely Hearts Club Band Medley (S836)(1) - Instrumental jam in stereo.
Source: The Electric Ladyland Sessions 2.
March 13, 1968 - Sound Center Studios, New York, USA.
11. Little Miss Strange (S686) (1) - An instrumental run-through of Noel's composition.
Source: 1968 A.D. Part 2
12. Somewhere (S768) (1) - Original unaltered mix with heavy echo on vocals.
Source: 1968 A.D. Part 2
13. Somewhere (S987) (2) - Original unaltered mix with slight echo on vocals. End cuts before fadeout.
Source: Crash Landing Revisited14. Somewhere (S969) (4) - An alternate mix of guitar and bass only. Cuts abruptly.
Source: Crash Landing Reels
15. Somewhere (S969) (5) - An alternate mix of guitars only. Cuts abruptly.
Source: Crash Landing Reels
16. Somewhere (S?) (6) - This is the alternate mono mix with longer studio chat.
Source: Unsurpassed Masters
Disc 2:
Source: Multicoloured Blues.
2. My Friend (S?) (3) - Different mix with Jimi's vocals low and bar chatters more upfront. Incomplete end.
Source: More Calling All Devil's Children.
3. 1983...(A Merman I Should To Be) (S685) (1) - An alternate mix of the official track with Jimi adding guitar overdubs. The abrupt dropout near the end is on all known sources.
Source: Electric Ladyland Sessions 4April 18, 1968 - The Record Plant, New York, USA.
4. Long Hot Summer Night (S040) (4) - The monaural mix of the official stereo edit (S040) (1).
Source: Electric Ladyland Sessions 4
April 20, 1968 - The Record Plant, New York, USA.
5. Little Miss Strange (S739) (3) - An alternate stereo mix with different guitar parts over original bass.
Source: Electric Ladyland Sessions 46. Little Miss Strange (S039) (4) - The monaural reduction mix of the official stereo mix.
Source: Electric Ladyland Sessions 4
April 23, 1968 - The Record Plant, New York, USA.
7. 1983...(A Merman I Should To Be) (S247) (3) - An alternate mix of the official track using more effects on Jimi's vocals.
Source: Electric Ladyland Sessions 4April 24, 1968 - The Record Plant, New York, USA.
8. Gypsy Eyes (S997) (3) - Take 1 of two instrumental takes with Jimi and Mitch only. No bass on track.
Source: 1968 A.D.
9. Gypsy Eyes (S997) (4) - Take 2 of two instrumental takes with Jimi and Mitch only. No bass on track.
Source: 1968 A.D.
10. Gypsy Eyes (S783) (2) - An alternate mix of Take 5 with guitar parts different from the official mix. This track also includes a 36 second instrumental false start at the end.
Source: 1968 A.D.May 1, 1968 - The Record Plant, New York, USA.
11. House Burning Down (S270) (2) - The acetate mix of Take 2 which has some different guitar and drum parts.
Source: 1968 A.D.12. House Burning Down (S999) (3) - Sound Quality: Very Good. Time: 4:31
A second alternate mix with bits of extra vocal added.
Source: 1968 A.D.
May 2, 1968 - The Record Plant, New York
13. Cherokee Mist (S710) (1) - The complete studio take. Jimi's grandmother was part Cherokee Indian and it's said that he wrote this as a tribute to his ancestry.
Source: In The Studio Volume 6
14. 3 Little Bears / South Saturn Delta / Untitled Instrumental Jam 3LB (S782) (4) - SSD/UI Jam (S1116) (4) - Studio jam that became the building block for 3 Little Bears and South Saturn Delta. 3 Little Bears in this mix has Jimi's vocals along with some guitar overdubs added. At this point is very close to the official track found on War Heroes. South Saturn Delta along with the Untitled Instrumental continue to the end of the track in their unedited form.
Source: Blues Project Outtakes
Disc 3:
1. 3 Little Bears / South Saturn Delta / Untitled Instrumental Jam 3LB (S1352) (5) - SSD/UI Jam(S1116) (5) - This mix of the studio jam has Jimi's vocals mixed high with the music track mixed low on 3 Little Bears for the first 4:14 for a vocal overdub. After the vocal take, South Saturn Delta along with the Untitled Instrumental are brought back to the front and continue to the end in their unedited form.
Source: Ball & Chain
2. 3 Little Bears (S?) (8) - This mix has echo added to the vocals and two guitar parts until the end of the second verse. After this point, the track continues with rhythm guitar only.
Source: War Heroes: The Outtakes
3. 3 Little Bears (S782) (3) - A longer alternate mix of the official track with no echo on vocals. This edit has two guitar parts thoughout the track.
Source: Multicoloured Blues4. South Saturn Delta (S1092) (1) - The original track without overdubs.
Source: The Sotheby Auction Tapes
5. South Saturn Delta (S?) (9) - An alternate mix with different guitar and horn overdubs plus reverb added.
Source: Electric Ladyland Sessions May '68
6. South Saturn Delta (S?) (10) - A composite of the incomplete official edit (S261) (2) with guitar and horn overdubs which then transitions into the original track (S1092) (1) without overdubs. The transition occurs roughly around the 2:50 timing mark.
Source: In The Studio Volume 8
7. Voodoo Chile (S1320) (1) - Take 1 instrumental of the Voodoo Chile Sessions tape. The start of this take is cut on all circulating copies.
Source: One Inch Masters - Voodoo Chile/Child Sessions8. Voodoo Chile (S1320) (2) - Take 2 instrumental of the Sessions Tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
9. Voodoo Chile (S1320) (3) - Take 3 of the Sessions Tape which is preceded by a 25 second false start. This unfinished take finds Jimi attempting to add vocals.
Source: One Inch Masters - Voodoo Chile/Child Sessions
10. Voodoo Chile (S1320) (4) - Take 4 of the Sessions Tape. Also referenced as the "Broken String" Take as one breaks on Jimi during the first verse. As he goes to retrieve a replacement, the track quickly breaks down into a improvised jam and continues as such until the end.
Source: One Inch Masters - Voodoo Chile/Child Sessions
11. Voodoo Chile (S1320) (5) - Take 5 of the Sessions Tape. Eddie Kramer starts adding the overdubbed crowd noises at this point. Jimi quickly kills this take as he feels Eddie is putting the overdub in at the wrong location of the track.
Source: One Inch Masters - Voodoo Chile/Child Sessions
12. Voodoo Chile (S728) (7) - A shorter alternate mix of the official stereo release with crowd noises mixed low.
Source: The First Rays Of The New Rising Sun
Disc 4:
1. Voodoo Chile (S1320) (8) - A different mix of the official track with two guitar solos and overdubbed crowd noises mixed more up front.
Source: One Inch Masters - Voodoo Chile/Child Sessions
2. Voodoo Chile (S1097) (9) - Also known as Voodoo Chile Blues with the official version being found on Blues. This track is a composite made by slicing the first two minutes of "The Broken String" take (S1320) (4) with a short 24 second vocal piece from the official mix (S038) (6) and the last 6 minutes & 50 seconds of (S1320) (2). This track is 24 seconds longer than the version found on Blues.
Source: Raw Blues
3. Voodoo Chile (S?) (13) - This composite is almost the same as (S1097) (9) but with the first 2 minutes:9 seconds of "The Broken String" take (S1320) (4) spliced into the last 6 minutes:50 seconds of (S1320) (2). The 24 second vocal piece from the official mix (S038) (6) is not included in this version.
Source: Electric Ladyland & BeyondMay 3, 1968 - The Record Plant, New York, USA.
4. Voodoo Child (Slight Return) (S1319) (1) - Take 1 of the Voodoo Child (Slight Return) Session Tape. A very short false start.
Source: One Inch Masters - Voodoo Chile/Child Sessions5. Voodoo Child (Slight Return) (S1319) (2) - Take 2 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
6. Voodoo Child (Slight Return) (S1319) (3) - Take 3 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
7. Voodoo Child (Slight Return) (S1319) (5) - Take 5 of the session tape wich is another very short false start. The raw source of Take 4 is missing from all circulating copies. An official mix of Take 4 (S246) (17) can be found on Disc 2 of Lifelines.
Source: One Inch Masters - Voodoo Chile/Child Sessions8. Voodoo Child (Slight Return) (S1319) (6) - Take 6 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
9. Voodoo Child (Slight Return) (S1319) (7) - Take 7 of the session tape which is the third false start.
Source: One Inch Masters - Voodoo Chile/Child Sessions
10. Voodoo Child (Slight Return) (S1319) (8) - Take 8 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
11. Voodoo Child (Slight Return) (S1319) (9) - Take 9 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
12. Voodoo Child (Slight Return) (S1319) (10) & (11) - Takes 10 & 11 of the session tape which are false starts 4 & 5.
Source: One Inch Masters - Voodoo Chile/Child Sessions13. Voodoo Child (Slight Return) (S1319) (12) - Take 12 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
14. Voodoo Child (Slight Return) (S1319) (13) & (14) - Takes 13 & 14 of the session tape which are false starts 6 & 7.
Source: One Inch Masters - Voodoo Chile/Child Sessions15. Voodoo Child (Slight Return) (S1319) (15) - Take 15 of the session tape.
Source: One Inch Masters - Voodoo Chile/Child Sessions
16. Voodoo Child (Slight Return) (S1319) (16) - A dry mix of the unfinished Take 4.
Source: One Inch Masters - Voodoo Chile/Child Sessions.
17. Voodoo Child (Slight Return) (S1319) (18) - A dry mix of the first unfinished instrumental.
Source: One Inch Masters - Voodoo Chile/Child Sessions.
18. Voodoo Child (Slight Return) (S1319) (19) - A dry mix of the second unfinished instrumental.
Source: One Inch Masters - Voodoo Chile/Child Sessions.
19. Voodoo Child (Slight Return) (S048) (20) - A 47 second false start that preceeds (S048) (21).
Source: One Inch Masters - Voodoo Chile/Child Sessions.
20. Voodoo Child (Slight Return) (S048) (20) - An alternate monaural dry mix of the official stereo track (S048) (22).
Source: One Inch Masters - Voodoo Chile/Child Sessions21. Voodoo Child (Slight Return) (S048) (20) - WJ edit end faded.
Disc 5:
1. Rainy Day Practice Session (S1369) (?) - The monaural practice session tape. Consists of 4 pieces with timings of 0:22, 0:26, 1:59 & 2:35.
Source: June-August 1968 Studio Sessions
2. Rainy Day Jam Outtakes (S1098) (?) - Consists of 2 instrumental takes in stereo with timings of 0:25 and 1:25.
Source: June-August 1968 Studio Sessions3. Rainy Day / Still Raining, Still Dreaming (S?) (5) - An early instrumental take in stereo.
Source: June-August 1968 Studio Sessions
4. Rainy Day/Still Raining, Still Dreaming (S1362) (2) - An alternate monaural mix of the combined track.
Source: June-August 1968 Studio Sessions
5. Rainy Day / Still Raining, Still Dreaming (S043) (3) - The second monaural mix of the comined track with extra guitar overdub. Incomplete as this fades in at the beginning and is missing the first 2 minutes, 14 seconds of (S1362) (2).
Source: June-August 1968 Studio Sessions6. Rainy Day Shuffle (S995) (?) - The complete jam mixed to mono.
Source: June-August 1968 Studio Sessions
7. Rainy Day Shuffle (S256)
June 11, 1968 - The Record Plant, New York, USA.
8. Inside Out A.K.A Ezy Rider (S973) (1) - Maybe not a true early version of Ezy Rider but this track has very similar chord progressions to the track that would eventually be released on The Cry Of Love.
Source: 1968A.D.
9. Inside Out A.K.A Ezy Rider (S?) (2) - An alternate version of (S973) (1) with some lead guitar mixed out.
Source: Groove 200810. Jimi Jazz Jam (S1093) (?) - The complete version of this jam in stereo.
Source: June-August 1968 Studio Sessions
11. Electric Ladyland Blues (S1094) (2) - Complete take of this early instrumental jam in stereo.
Source: June-August 1968 Studio Sessions
June 14, 1968 - The Record Plant, New York, USA.
12. Have You Ever Been To (To Electric Ladyland) (S153) (3) - Take 3 from a solo session with Jimi only. Fades at end.
Source: Loose Ends
13. Have You Ever Been To (To Electric Ladyland) (S1091) (1) - Take 4 with Mitch joining Jimi. This take became the backing track for the official version. Also known as the "Cymbals Take".
Source: The Sotheby's Tapes
Disc 6:
1. Have You Ever Been To (To Electric Ladyland) (S?) (6) - An extended edit of the official stereo mix probably from an overdub mixing session.
Source: June-August 1968 Studio Sessions2. Have You Ever Been To (To Electric Ladyland) Reversed SO-6
3. Have You Ever Been To (To Electric Ladyland) (S036) (7) - The monaural edit of the official stereo version.
Source: June-August 1968 Studio SessionsJune 29, 1968 - The Record Plant, New York, USA.
4. ...And The Gods Made Love (S?) (2) - A longer alternate mix of the official track in stereo.
Source: June-August 1968 Studio Sessions
5. ...And The Gods Made Love (S?) (2) - reversed
6. ...And The Gods Made Love (S?) (3) - The alternate fast mix which actually consists of the track twice. Once forward and once backward. If played normally or reversed in a wave editor, the track will end with Jimi saying "Okay, One more time".
Source: June-August 1968 Studio Sessions7. ...And The Gods Made Love (S?) (4) - A shorter alternate mix in stereo.
Source: June-August 1968 Studio Sessions
8. ...And The Gods Made Love (S?) (4) - reversed
9. ...And The Gods Made Love (S035) (5) - The mono reduction of the official stereo track.
Source: Electric Ladyland Mono (Brazil Issue)
August 12, 1968 - The Record Plant, New York, USA.
10. Room Full Of Mirrors (S1545) (26) - Take 3 of a session featuring Paul Caruso on harmonica. Mitch and Noel were not present in the studio on this date.
Source: June-August 1968 Studio Sessions
August 27, 1968 - The Record Plant, New York, USA.
11. Come On (Part 1) (S998) (2) - Incomplete Take 8 as it starts in the middle of the first verse. Jimi ends the take just after the end of the second verse. Track is monaural.
Source: 1968 A.D.12. Come On (Part 1) (S250) (3) - The complete monaural Take 9.
Source: 1968 A.D.
13. Come On (Part 1) (S?) (3) - An alternate mix of Take 9. The first ten seconds are in stereo which then reverts back to mono for the remainder of the track.
Source: Lifelines
14. Come On (Part 1) (S891) (1) - An unknown take mixed to stereo. Considerably different than Take 14 which was the take used on Electric Ladyland. Fades out at ending.
Source: June-August 1968 Studio SessionsOctober 16th or 17th, 1968 - Studio B, TTG Studios, Los Angeles, USA.
Jimi along with Jack Bruce, Jim McCarthy, Buddy Miles and an unknown guitarist, spend the day in informal jamming.
15. Jam #5 (12 Bar Blues In E) (JS-10)Source: At TTG Studios
16. Jam #6 In E (JS-11)
Source: At TTG Studios
17. I Just Want To Make Love To You (JS-12)
Source: At TTG Studios
18. Jam #1 (12 Bar Blues In D) (JS-6)
Source: At TTG Studios
19. Jam #2 In D (JS-7)
Source: At TTG Studios
Disc 7:
Source: At TTG Studios
2. Sunshine Of Your Love (S?) (2)
Source: At TTG Studios
3. Jam # 4 In D (JS-9) - Sound Quality: Good. Time: 1:29
Source: At TTG Studios
4. Sunshine Of Your Love (S?) (3)
Source: At TTG Studios
October 18th, 1968 - Studio B, TTG Studios, Los Angeles, USA.
5. Untitled Instrumental Jam (S847) (JS2) - ATM180-183 At TTG Studios suggests that this instrumental could be Jimi's first known recording of Izabella. Experience Hendrix's history timeline does confirm that the first version of Izabella was indeed recorded on this date.
Source: At TTG Studios
October 20th, 1968 - Studio B, TTG Studios, Los Angeles, USA - Lee Michaels joins the Experience in the studio as Jimi records 15 takes of a new composition called Messenger. Jimi had jammed with Lee the night before at the Whiskey A Go Go in Hollywood.
6. Untitled Instumental Jam (S1354) (JS31) - There could be a slight chance that this track is Take 15 of Messenger. EH states that Lee's piano part was overdubbed to Take 15 which was the final take. A slight clue to this possibility is at the end of the track. Jimi can be clearly heard talking to
Eddie in the control booth while at the same time, his voice is also heard on the tape.
Source: At TTG Studios
October 21th, 1968 - Studio B, TTG Studios, Los Angeles, USA - Jimi records twenty seven takes of "Calling All Devil's Children", a tongue in cheekparty song. Sometime during the day, the Experience is joined by Buddy Miles and Lee Michaels for some informal jamming.
7. Calling All Devil's Children (S757) (1) - This is the short edit instrumental backing track without vocals. Which omits the first 1 minute & 56 seconds and the last 58 seconds found on (S815) (2).
Source: At TTG Studios8. Calling All Devil's Children (S815) (2) - The long edit that includes Jimi's "bust" vocals.
Source: At TTG Studios
9. Calling All Devil's Children (S815) (9) - A shorter mix of (S815) (2) with alternate voices.
Source: At TTG Studios
10. Untitled Instumental Jam (S1357) (JS14)
Source: At TTG Sudios
11. Electric Church (S?) (JS32) - This is the most complete version.
Source: At TTG Studios
12. Hear My Freedom (S1358) (?) - The complete jam.
Source: Att TTG Studios
Disc 8:
1. Look Over Yonder (S116) (3) - An alternate mix of Take 17 with different guitar parts.
Source: At TTG Studios
2. Look Over Yonder Backwards Outro (S0) (0) - The outro only from the official mix of Take 17 (S116) (2) reversed to show the backwards guitar overdubs. Traders track. Not a true known recording.
Source: South Saturn DeltaOctober 23th, 1968 - Studio B, TTG Studios, Los Angeles, USA.
3. The New Rising Sun (S1315) (2) - The complete unedited Take 2 with guitar overdubs.
Source: Blues Project Outtakes
October 24th, 1968 - Studio B, TTG Studios, Los Angeles, USA.
4. Peace In Mississippi (S755) (1) - The original unaltered Take 15 in mono with Noel on bass and Mitch on drums.
Source: Electric Hendrix 1
5. Peace In Mississippi (S1243) (7) - An Alan Douglas era mix of Take 15 with Jimi's guitar on the right channel and Bob Babbit's bass on the left.
Source: Paper Airplanes6. Peace In Mississippi (S1243) - Jimi’s guitar only
7. Peace In Mississippi (S?) (8) - A less altered Alan Douglas era mix of Take 15 in mono. Longer than the official mix found on Crash Landing, this version only has Jimi playing guitar but still has the overdubbed bass of Bob Babbit, drums of Allan Schwartzberg, and percussion of Jimmy Maeulen.
Source: Unsurpassed Masters
8. Peace In Mississippi (S1244) (6) - A shorter alternate edit in mono with Jimmy Maeulen's percussion part missing.
Source: Crash Landing Reels
9. Peace In Mississippi (S769) (4) - Another less altered Douglas edit in narrow stereo. In this mix, Jeff Mironov's guitar part has been added to the left channel of Take 15.
Source: Paper Airplanes
10. Peace In Mississippi (S769) (5) - Basically the same as (S769) (4) but in this mix, heavy delay has been added and Jeff Mironov's guitar part is on the right channel.
Source: 51st Anniversary...The Story Of LifeOctober 27th?, 1968 - Studio B, TTG Studios, Los Angeles, USA.
11. Untitled Instrumental Jam (S1353) (JS28)
Source: Ball & Chain
12. Untitled Instrumental Jam (S1353) (JS29)
Source: Ball & Chain
13. Untitled Instrumental Jam (S1353) (JS30)
Source: Ball & Chain
14. Everything's Gonna Be Alright (S1353) (1)
Source: Ball & Chain
Na okładce jest błąd - pominięto utwór 6 na Disc 8.
Disc 9:
October 29th, 1968 - Studio B, TTG Studios, Los Angeles, USA - Joining the trio are Buddy Miles and Lee Michaels.
1. Lover Man (S1197) (1) - Take 3 in monaural.Source: At TTG Studios
2. Lover Man (S762) (2) - Take 4 mixed apparently in narrow stereo as Mitch's snare drum is more dominant in the left channel and bass drum on the right.
Source: At TTG Studios3. Gloria (S?) (2) - The complete unedited studio Take 8 in mono.
Source: At TTG Studios
4. Gloria (S170) (1) - A shorter slightly edited alternate mix of Take 8 in stereo.
Source: At TTG Studios
5. Red House (S300) (?) - The stereo dry mix which is slightly more complete at the start and does not include the Electric Church Intro from October 21st.
Source: At TTG Studios
6. Electric Church Red House (S300) (7) - The complete composite consisting of the Electric Church Intro (1:49) from October 21st & Red House. Slight echo is added to this mix and is about a minute 20 seconds longer than the edited composite found on the official Blues release.
Source: Best Of The BootlegsSometime between October 18th & 29th, 1968 - Studio B, TTG Studios, Los Angeles, USA.
7. Bleeding Heart Jam (S1102) (JS1) - An improvised jam with chord progressions similar to those found on Bleeding Heart from War Heroes and Untitled Instrumental Jam (S992)
8. Untitled Instrumental Jam (S235) (JS4) - Apparently an overdub session as this track has two added guitars parts over the main track. All known versions of this track have the double guitar intro at the beginning and an abrupt ending.
Source: At TTG Studios
November 6th, 1968 - The Record Plant, New York, USA - Jimi works with Cat Mother & The All Night Newsboys as they record their first album.
9. Untitled Instrumental Jam (S?) (JS36) - An incomplete jam with members of The All Night Newsboys.
Source: Miscellaneous 1
Disc 10:
1. Room Full Of Mirrors - Take 3 - S1545-26 - disc 6 track 10
2. 1983 - from disc 2 track 07 - WJ Signal Boost
3. Three Little Bears WJ Boost & Edit - 3LB-SSD-UI - from disc 2 track 14
4. Voodoo Chile Take 1 - disc 3 track 7 - WJ Balance & Edit
5. Voodoo Chile Take 2 - disc 3 track 8 - WJ Balance & Edit
6. Broken String Jam - from disc 3 track 10 - WJ Boost & Edit
7. Rainy Day Still Dreaming - not on studio 68 set - WJ Composite 1996
8. Somewhere - Instrumental S969-4 - disc 1 track 14 - WJ Edit
9. Come On - Part I - Alternate Mix S891-1 - disc 6 track 14
10. Untitled Instumental Jam S0-JS36 - start clipped - disc 9 trk 9 - WJ Edit
11. Untitled Instrumental Jam S235-JS4 - disc 9 track 8 - WJ Edit Repaired
12. Peace in Mississippi - Jimi's Guitar Only - from disc 8 track 6
13. Somewhere - Lead Guitar Samples - from disc 1 track 15 - WJ Edit
14. Voodoo Chile Solos - from disc 4 track 1 - WJ Edit & Composite
15. Untitled Instrumental Jam S847-JS2 - disc 7 track 5
16. Gypsy Eyes S997-3 - start and end clipped - disc 2 track 8 - WJ Edit
17. Rainy Day - Still Raining S0-5 - disc 5 track 3
18. Look Over Yonder - disc 8 tracks 1-2 - WJ Reversed Ending Composite
19. The Gods Reversed Composite - disc 6 tracks 7-8 - WJ Edit
20. Have You Ever Been Reversed - disc 6 tracks 1-2 - WJ Composite
Komentarze
Prześlij komentarz